All Winter I’ve been engaged in an intense, head-down finishing of my standalone novel, provisionally titled The Typewriter, much of it set around the Battle for Berlin in 1945. At last I’ve come up for air and I now have a busy Spring of bookshop events. The very talented David Young, author of the Karin Müller detective series, set in Cold War Germany, and I will be talking about Spies, Seduction, the SS and the Stasi, and the many ways in which Berlin inspires our fiction. There are a number of events to come, but the first are:
7pm, February 21st: The Pitshanger Bookshop,141 Pitshanger Lane, London, W5.
6.30pm, March 1st: Haslemere Bookshop, 2 Causewayside, High Street, Haslemere GU27 2JZ
7pm, March 7th: Warwick Books,24 Market Place, Warwick, Warwickshire CV34 4SL
April 19th: Crawley Wordfest, Crawley Library, Southgate Avenue, Crawley
Do come along – it would be great to meet, talk and of course sign books!
And here’s where it all started – Winterfeldtstrasse 35 – Clara Vine’s Berlin apartment in Schöneberg as it looks today…
One of the most amazing moments for a writer is seeing her book in a foreign translation. Beside the fact that it’s always a bit unbelievable, there’s the mystery of what a foreign readership will make of it, and how good the translation will be (and indeed how you’ll ever know if it’s a good translation). Philippe Bonnet, who has translated previous Clara Vine novels, is always fulsomely praised by French readers so I’m thrilled he has worked on Faith and Beauty, which is out in France in February. The other great pleasure is seeing how foreign publishers visualise the jackets, and I love this one from J.C.Lattès. Also just out is Kedros’s Greek edition of The Winter Garden, with a very seductive take on Clara Vine…
I’m thrilled that The Pursuit of Pearls became a #1 bestseller in its category on Amazon.com after a promotion! To celebrate, here’s a 1939 day dress of the kind Clara Vine wears. Note in the background the dramatic white pillars that were erected on Unter den Linden in 1936. The dress appears in a wonderful exhibition of everyday life in 1937 at the Markisches Museum in Berlin – well worth a visit.
It was so interesting to see this piece about Tom Hanks’ love of antique typewriters. They are such beautiful machines and even though I type straight onto a computer now, I hammered out my earliest stories – concerning a bear called Edgar – on an Olivetti and the sensory appeal of it has never left me. Something about the zing of the carriage and the rip of the finished page, to lie in a stack by your side, is forever associated with writing in my mind. Which is perhaps why this antique Underwood plays such an important role in my forthcoming standalone novel.
The perennial question. But filming a documentary called The Nazi Invasion, due for broadcast in December, it was interesting to speculate on the extraordinary degree of planning that had been put into this question. Some of it was ridiculous – like von Ribbentrop’s idea of having Cornwall as his personal domain – and some just chilling, like Himmler’s decision to restrict education for conquered people to a very simple level, involving adding up to 500 and writing their names. We did the filming on the hottest day of the year and the producers found an appropriately dank cellar in which to fire their questions…..
The saying goes, a historian tells you what happened but a novelist tells you how it felt. I’m always interrogating myself about the rights and wrongs of setting novels in the past and particularly around such a sensitive part of the past as WW2 Germany. So I found this long, perceptive article by Hilary Mantel about why she writes historical fiction totally fascinating. https://www.theguardian.com/books/2017/jun/03/hilary-mantel-why-i-became-a-historical-novelist
What do Wallis Simpson, Ian Fleming and Walter Schellenberg have in common? They all feature in the new Clara Vine novel, Solitaire, which is available over the May Bank Holiday for just 99p on Kindle. Scoop it up now for holiday reading or recommend to friends to help drive it up the charts! https://www.amazon.co.uk/Solitaire-captivating-intrigue-survival-wartime-ebook/dp/B01C352OCQ/ref=sr_1_1?ie=UTF8&qid=1495787673&sr=8-1&keywords=jane+thynne
In the course of writing my work in progress – a stand alone novel called The Typewriter – I’ve been looking at a lot of images of Germany immediately after the end of the war. This video, if you can link to it, is a really impressive colourised compilation of footage shot in Germany, Washington and London, right after VE day and if you have a few minutes to spare it’s really worth a look! The Spirit of Liberation
and surely only the French would transport you to the event in a 1929 Citroen. It was rather wonderful to experience a car that Clara Vine might well have travelled in. Thank you to Bernard, my chauffeur.
I’ve never been to a French fiction festival before and for the novice it’s pretty eye-opening. A vast hall, the size of an aircraft hangar, full of desks on which the author’s work is displayed. The writer sits, apparently nonchalant, as visitors drift past, picking up a volume to scrutinise before either buying it, or putting it back. Some writers have lines stretching down the hall, others sit checking their phones. But what could be nicer than the chance to promote one’s work, so beautifully packaged by J.C. Lattes? I had some incredible chats with French fans who had apparently read all the Clara Vines that have been translated to date. And after listening to the machine gun delivery of the writers around me, I vowed to do some serious work on my French.